[Free shipping] The Hollies DVD [THE HOLLIES IN PERFORMANCE 1968] + CD [IN THE HOLLIES STYLE] + [HOLLIES] mono & stereo LIVE with Graham Nash
[Free shipping] We are offering the DVD [THE HOLLIES IN PERFORMANCE 1968], which contains a live performance of The Hollies when Graham Nash was a member in the 1960s, and two CDs, the 2nd [IN THE HOLLIES STYLE] and 3rd [HOLLIES], which contain both the mono/stereo sound sources released by EMI in the UK in 1997. This is not a rental item.
①DVD [THE HOLLIES IN PERFORMANCE 1968] 8 songs, 28 min, good image quality (monochrome) LM035 Imported version
*For detailed song titles, please see image 5.
②CD 2nd [IN THE HOLLIES STYLE] 24 songs in total, "mono & stereo", 1964 release, 7243 8 56573 2 0, Digipak format, CD release in 1997, UK EMI release
*For detailed track names, please see image 6.
③CD 3rd [HOLLIES] 24 songs in total, "mono & stereo", 1965 release, 7243 8 56575 2 8, Digipak format, CD release in 1997, UK EMI release
*For detailed track names, please see image 7.
① is a live video of a 1968 Yugoslavia performance recorded for TV. 1968 was a big turning point for the Hollies, with Graham Nash leaving the band over the recording of the LP [Hollies Sing Dylan], but from watching this performance, the live performance structure led by Nash's MC was unbelievably harmonious and the stage performance exuded the group's most mature period. Although it was a short stage of just under 30 minutes, it was a historical video of the Hollies at this time (the sound quality is particularly good) with a wonderful three-part chorus. Even though it was 1968, when the Beatles stopped concerts, the audience didn't scream much, probably because it was a concert in Eastern Europe. As a member of the POP festival, they were invited as a representative of the West, so there may have been language and geopolitical barriers that made them not have much interaction like the Spiders duo Nash and Clark.
I'm sorry to CSN&Y fans and Terry Sylvester fans, but this concert is so wonderful that it makes you wish Nash had continued with the Hollies into the 1970s (this is just my personal opinion...).
Members: Vo/Alan Clark, Vo.G/Graham Nash, Vo.G/Tony Hicks, Dr/Bobby Elliott, B/Bunny Calvert
② is the second album, which is worthy of the Japanese title at the time, "This is the Hollies Style" (although the Japanese version was released in 1968). In a complete change from the previous album, the majority of the songs are jointly written by Alan Clark, Graham Nash, and Tony Hicks ('Chester Mann' changed to 'L. Lunceford'), and the vocal harmony of the three has become more stable. It does not include hit songs such as "We're Through" by 'Lunceford', which previously reached 7th place, and the fact that it is all new songs shows how well the group was doing. There are many highlights in the original songs such as ⑩, which summarizes the band's individuality, but there are also many cover songs worth listening to. Among them, ①, which is impressive for its flawless sharp performance and vivid harmony, is one of the best performances. ⑦, in which Clark, Nash, and Hicks take the lead vocals in that order with a mature performance, is also wonderful. 』 *B/Eric Haydock
From the liner notes of Masato Wakatsuki in the February 2004 issue of Record Collectors <Special feature on the Hollies>
③ is,
``Although 'In The Hollies Style' was a flop, all the subsequent singles made it into the top 10, including ``I'm Alive'' which reached the top in their home country, and ``Look Through Any Window'' which reached 4th in the UK and the top 40 in the US for the first time. This work is a compilation of the results of recording sessions that were held sporadically over the course of about 8 months during that time. It also achieved a good result of 8th place in the album chart. The composition of the album is almost equal between cover songs and original songs, which is not much different from the previous album, but the growth of the band is all the more impressive. From the pop song ③, which is influenced by the Beatles, to the folk rock song ⑥, which is full of shades and hints at the ``afterwards'' (the former was recorded in November 1964, the latter in July 1965), the original songs have become more mature, and the smart ensemble heard in the cover songs, starting with ⑨, even feels relaxed. *B/Eric Haydock
From the liner notes of Masato Wakatsuki in the February 2004 issue of Record Collectors <Special feature on the Hollies>
I am listing these items for sale as part of inventory adjustment, but I am sorry to say that I will not be selling them separately. Please purchase them as a set of 3. They have been carefully stored, and although the records are clean, they have been stored for a long time, so please refrain from purchasing if you are sensitive about such things. Please note that there will be no claims or returns. I will try to ship quickly.
;)
