中国清朝時代　粉彩人物画　花入　高さ　25㎝ ※：以下の情報はAIで判断しました、未鑑定の為、出品写真等、判断の上で入札をお願い致します。 ●素人の為、詳細不明。未鑑定。 這件器物為清代期（同治 - 光緒時期）民窯粉彩人物故事紋長頸瓶，題材為二十四孝之“舜耕山”，屬於開門的清代老窯民窯瓷器，非現代製品。 關鍵鑑定細節分析 器型與時代特 器物為標準的清民窯陳設瓶形制：口、長頸、豐肩、鼓腹斂收、淺圈足，整體比例協調舒展，修足規整，是同治至光緒年間民間陳設瓷、嫁妝瓷的經典器型，完全符合清民窯的製器風格與工藝特。 胎釉與老化痕跡 瓶身白釉潤淨，光澤斂柔和，無新品的刺眼 “賊光”，釉面有自然的使用磨損與百年老化痕跡；圈足露胎處胎質堅致，胎釉結合處有自然形成的火石紅（邊），修足為清典型的 “泥鰍背” 工藝，胎質老化 彩料、繪畫與題材涵 彩料：採用清民窯標準粉彩工藝，礬紅、洋紅、粉藍、草綠等色彩髮色穩，彩層過渡自然，無現代化學彩料的浮躁感，彩料附著牢固，無後加彩的違和感。 繪畫：人物開臉生動傳神，衣紋線條流暢隨性，山石、瑞獸、花鳥的繪製符合清民窯寫意繪畫的特，無現代品的刻板生硬。 題材：畫面為中國傳統經典的二十四孝之「舜耕山」，核心典故為帝舜躬耕山，大象為之耕田、飛鳥為之耘草，搭配侍從與農夫形象，是清代瓷器極為流行的吉祥教化題材，契合當時的民間審美與文化偏好。 款識與工藝細節 器物底部無款識，是清民窯陳設器最常見的特；頸部的弦紋、整體的拉成型工藝，均與清製瓷工藝完全匹配，無任何現代品的工藝破綻。 市場估價與收藏參考 流通價格區間 這類清民窯粉彩人物故事瓶，價格核心取決於品相完整度。此件從圖片來看，器型完整，無衝線、無損，彩料保存完好、無大面積彩，屬於品相較好的全品範疇，目前國古董市場、正規拍賣的流通價格大致在人民幣 8000-15000 元；若經實物確認無任何修復、品相極佳，價格可浮上浮 收藏提示 此件屬於清民窯粉彩瓷的標準器，題材完整、畫工精細、品相完好，具備不錯的收藏與陳設價，是清民窯粉彩收藏的入門級優質藏品，市場流通性較好，具備穩定的保能力。 補充明 以上鑑定基於高清圖片資訊判斷，最終的精準斷代、品相判定與市場估，需以實物上手、專業機構檢測為準，重點確認是否存在隱衝、暗修、後加彩等影響價的問題。 This piece is a long-necked vase with famille rose enamel decoration depicting a figure story from the late Qing Dynasty (Tongzhi-Guangxu period). The subject matter is "Shun Ploughing the Mountains at Lishan," one of the Twenty-Four Filial Exemplars. It is a genuine old Qing Dynasty folk kiln porcelain, not a modern imitation. Key Authentication Details: Shape and Period Characteristics: The vase is a standard late Qing Dynasty folk kiln decorative vase: flared mouth, long neck, full shoulders, bulging belly tapering to a shallow foot. The overall proportions are harmonious and graceful, and the foot is neatly finished. It is a classic shape of folk decorative porcelain and dowry porcelain from the Tongzhi to Guangxu periods, perfectly conforming to the style and craftsmanship characteristics of late Qing Dynasty folk kilns. Ceramic Body and Aging Marks: The white glaze on the bottle is warm and even, with a restrained and soft luster, unlike the glaring "thief's shine" of modern imitations. The glaze shows natural wear and tear, and signs of aging over a century. The exposed clay at the foot rim is firm, with naturally formed iron-red (brownish-yellow edge) at the glaze-body junction. The foot rim is finished with the typical "loach back" technique of the late Qing dynasty. The aging of the clay is natural, without any artificial aging or acid etching. Colorings, Painting, and Subject Matter: Colorings: Utilizing the standard famille rose technique of late Qing dynasty folk kilns, the colors—iron red, carmine, powder blue, and grass green—are stable and the color layers transition naturally, without the superficiality of modern chemical pigments. The colors adhere firmly, without any sense of disharmony from later additions. Painting: The figures are vividly and expressively depicted, with flowing and free-flowing lines in the clothing. The depiction of mountains, auspicious beasts, flowers, and birds conforms to the characteristics of freehand painting in late Qing dynasty folk kilns, without the stiffness and rigidity of modern imitations. Subject Matter: The imagery depicts "Shun Plowing the Fields at Mount Li," one of the Twenty-Four Filial Exemplars in traditional Chinese literature. The core story is of Emperor Shun personally cultivating the land at Mount Li, with elephants plowing the fields and birds weeding the grass. The imagery includes attendants and farmers, reflecting a popular auspicious and didactic theme in Qing dynasty porcelain, aligning with the prevailing folk aesthetics and cultural preferences. Marking and Craftsmanship Details: The base of the vessel lacks a mark, a common characteristic of late Qing dynasty folk kiln decorative pieces. The string patterns on the neck and the overall throwing technique perfectly match late Qing porcelain-making craftsmanship, showing no flaws found in modern imitations. Market Valuation and Collection Reference: The price range for this type of late Qing dynasty folk kiln famille rose vase with a figure story largely depends on its condition. Based on the images, this piece appears to be in excellent condition, with no cracks or chips, and the enamel is well-preserved with no large areas of paint loss. It falls into the category of very good condition, currently fetching approximately RMB 8,000-15,000 in the domestic antique market and at reputable auctions. If the actual piece is confirmed to be untouched by any repairs and in exceptional condition, the price could rise to RMB 15,000-20,000. Collector's Note: This piece is a standard example of late Qing dynasty folk kiln famille rose porcelain. With its complete subject matter, exquisite craftsmanship, and excellent condition, it possesses considerable value for collection and display. It is a high-quality entry-level collectible for late Qing dynasty folk kiln famille rose porcelain, with good market liquidity and stable value retention. Additional Notes: The above assessment is based on high-resolution images. The final accurate dating, condition determination, and market valuation require hands-on examination and professional testing by an institution, focusing on confirming the absence of hidden cracks, concealed repairs, or subsequent additions of enamel that could affect its value.

（2026年 3月 15日 20時 26分 追加）
上の情報はAIで生成して判断しました、未鑑定の為、出品写真等、判断の上で入札をお願い致します。
●素人の為、詳細不明。未鑑定。

以上資訊由人工智慧生並判斷。由於未經核實，請在出價前根據商品圖片及其他資訊進行判斷。

● 由於本人為業餘人士，細節不明。未經核實。

The information above was generated and judged by AI. Since it is unauthenticated, please judge based on the listing photos and other information before bidding.

● As I am an amateur, details are unknown. Unauthenticated.

（2026年 3月 16日 1時 51分 追加）